anachronistic, innovative interpretations of art history, theory & criticism by emerging voices
A Brief History of Art in Netflix's Bridgerton
By Caroline E. Giddis
February • 24 • 2021
Beauty in Travesty: Art as Relief after the 2020 Beirut Explosion
By Sharon Arana
February • 17 • 2021
Street Art in Digital Space: KATSU’s Graffiti Drone
By Sarah Hwang
January • 20 • 2021
We Need Greater Inclusion of Languages in Our Museums
By Ethan Krenzer
January • 6 • 2021
Jean-Léon Gérôme and the Female Nude: A Sick Obsession
By Isabel Brennan
December • 13 • 2020
Gateway into The Abyss: An Exploration of Occult Iconography in Hilma af Klint’s The Swan, No. 24 (1915)
By Christina Nicole Conti
November • 29 • 2020
A New Meaning: Dogtooth and the Manipulation of
Power in the Hyperreal
By Sara Thomas
November • 8 • 2020
Performance Art and the Sculpted World of Silvio Barile
By Cortney Anderson Kramer
October • 25 • 2020
Orchestrating Instability: Diffusing Dualisms, Anthropological Binaries & Phantasmic Fetishes
By Molly Stephenson
October • 11 • 2020
Transcending Boundaries: A Modern Illuminated Manuscript by Phoebe Anna Traquair
September • 18 • 2020
